Medium Test Grade 6 English Language Arts Eog Gse Answer

Questions 1 – 5 are based on the following:

The Blue and the Grey
by Francis Miles Finch

By the flow of the inland river,
Whence the fleets of iron have fled,
Where the blades of the grave-grass quiver,
Comatose are the ranks of the expressionless:
Nether the sod and the dew,
Waiting the judgment-day;
Under the ane, the Blue,
Nether the other, the Grayness
These in the robings of glory,
Those in the gloom of defeat,
All with the battle-blood gory,
In the dusk of eternity meet:
Nether the sod and the dew,
Waiting the judgment-twenty-four hour period
Nether the laurel, the Blue,
Under the willow, the Gray.
From the silence of sorrowful hours
The desolate mourners go,
Lovingly laden with flowers
Alike for the friend and the foe;
Under the sod and the dew,
Waiting the judgment-day;
Under the roses, the Blue,
Under the lilies, the Gray.
So with an equal splendor,
The morning time sun-rays fall,
With a touch impartially tender,
On the blossoms blooming for all:
Under the sod and the dew,
Waiting the judgment-day;
Broidered with gilded, the Blue,
Mellowed with aureate, the Gray.
And so, when the summer calleth,
On forest and field of grain,
With an equal murmur falleth
The cooling baste of the rain:
Under the sod and the dew,
Waiting the judgment-day,
Moisture with the rain, the Blueish
Wet with the pelting, the Gray.
Sadly, only not with upbraiding,
The generous human activity was done,
In the storm of the years that are fading
No braver battle was won:
Under the sod and the dew,
Waiting the judgment-mean solar day;
Under the blossoms, the Blue,
Under the garlands, the Gray
No more shall the war cry sever,
Or the winding rivers be cherry-red;
They banish our anger forever
When they laurel the graves of our expressionless!
Under the sod and the dew,
Waiting the judgment-day,
Love and tears for the Blue,
Tears and beloved for the Gray.

ane. What blazon of scene does this poem draw?

1. the changing of the seasons
2. a loved one being welcomed home
3. the aftermath of a battle
4. a determination beingness made

two. What do the post-obit lines imply about those who died equally a result of the actions that were taken?

Dear and tears for the Blue,
Tears and dearest for the Gray.

1. Those who died in battle are now weeping as a result of their destruction.
2. It doesn't matter who won the battle; there are people on both sides mourning their loved ones.
3. Bystanders are questioning the reasons for the battle that took then many lives.
4. I day, those who died volition come dorsum to life.

three. How does the writer's repetition of the idea expressed in the post-obit lines help communicate his chief bulletin?

Under the sod and the dew,
Waiting the judgment-day,
Love and tears for the Blue,
Tears and beloved for the Grey.

1. It shows that there are no winners when it comes to war, but destruction, and that in expiry, everyone is equal.
2. Information technology tells the reader that battles should be remembered and reenacted to remember the losses once suffered.
3. It shows that those who die in battle should never exist remembered for their sacrifices.
4. It reminds readers that it is not their job to wonder at the reasons backside state of war, simply to follow the actions of others and mourn losses when they happen.

4. To what war does this poem'southward title allude?

1. The Vietnam State of war
2. Globe War 2
3. World State of war I
4. The Civil War

5. The author contrasts images of death and destruction with those of natural beauty and wonder to show that

1. state of war is pointless.
2. in that location are only reasons for war and violence.
3. even in the backwash of horrific violence, life continues to proceed and renew itself.
4. we should exist thankful for what we have today and not worry almost what nosotros will demand in the future.

The following is an extract fromAnne of Greenish Gables, a classic story written past Lucy Maud Montgomery that follows the life and times of a immature girl who was mistakenly sent to live with an elderly brother and sister in rural Prince Edward Island.

Forenoon at Light-green Gables

It was wide daylight when Anne awoke and saturday upwards in bed, staring confusedly at the window through which a overflowing of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky.

For a moment she could non retrieve where she was. First came a delightful thrill, equally something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy!

Just it was morning time and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and beyond the floor. She pushed up the sash-it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and information technology stuck so tight that nothing was needed to concur it up.

Anne dropped on her knees and gazed out into the June morning time, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't information technology a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-red-tree grew outside, so close that its boughs tapped against the house, and information technology was and then thick-fix with blossoms that hardly a leaf was to be seen. On both sides of the house were a large orchard, 1 of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted upwards to the window on the morn wind.

Below the garden a green field lush with clover sloped down to the hollow where the beck ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Across it was a colina, dark-green and feathery with spruce and fir; at that place was a gap in it where the gray gable end of the niggling house she had seen from the other side of the Lake of Shining Waters was visible.

Off to the left were the big barns and across them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea.

Anne'south beauty-loving optics lingered on it all, taking everything greedily in. She had looked on and so many unlovely places in her life, poor child; just this was as lovely as annihilation she had always dreamed.

She knelt there, lost to everything but the loveliness around her, until she was startled by a mitt on her shoulder. Marilla had come in unheard past the small dreamer.

"It's time y'all were dressed," she said curtly.

Marilla really did not know how to talk to the child, and her uncomfortable ignorance fabricated her crisp and curt when she did not hateful to be.

Anne stood up and drew a long breath.

"Oh, isn't it wonderful?" she said, waving her paw comprehensively at the good globe exterior.

"It's a big tree," said Marilla, "and information technology blooms corking, only the fruit don't corporeality to much never-small and wormy."

"Oh, I don't hateful just the tree; of course it's lovely-yep, information technology's RADIANTLY lovely-it blooms as if information technology meant it-just I meant everything, the garden and the orchard and the brook and the wood, the whole big dear world. Don't yous feel every bit if you simply loved the world on a morning like this? And I can hear the beck laughing all the manner upward here. Take you always noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the water ice. I'm and then glad there'south a brook almost Green Gables. Maybe you lot remember it doesn't make whatsoever difference to me when you're non going to keep me, but it does. I shall e'er similar to call back that there is a brook at Dark-green Gables even if I never see it over again. If in that location wasn't a brook I'd be HAUNTED by the uncomfortable feeling that at that place ought to exist one. I'1000 not in the depths of despair this forenoon. I never tin be in the morning. Isn't it a splendid affair that there are mornings? Simply I feel very sad. I've only been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when y'all have to stop and that hurts."

"Yous'd better get dressed and come up downwardly-stairs and never mind your imaginings," said Marilla as soon as she could get a discussion in edgewise. "Breakfast is waiting. Wash your face and rummage your pilus. Leave the window upwards and turn your bedclothes dorsum over the foot of the bed. Exist equally smart every bit you tin."

vi. Which words best describe how Anne is feeling?

1. shy and inactive
2. scared and unsure of her situation
3. energized and excited virtually the possibility that Dark-green Gables will be her new home
4. excited, but a fiddling homesick for the orphanage

7. The word smart as used in the concluding line of the passage ways

1. quick.
2. intelligent.
3. painful.
4. fashionable.

viii. The narrator of this passage is

1. Anne.
2. Marilla.
3. an exterior observer.
4. an omniscient narrator who knows everything about the story and its characters.

9. Which of the following describes how Marilla feels about Anne?

1. Marilla has decided that she does not like Anne, and will ship her back to the orphanage.
2. Marilla is warming upwardly to Anne and starting to experience affection for her.
3. Marilla is unsure of how to human activity around Anne, and is uncomfortable with a child in the firm.
4. Marilla is suspicious of Anne and of whether her being sent to Green Gables was really a mistake.

10. What is the writer'due south purpose in presenting the post-obit as Anne'southward response to Marilla's misunderstanding of Anne gesturing out the window?

"Oh, I don't mean just the tree; of form it'due south lovely-yes, it'south RADIANTLY lovely-information technology blooms as if it meant it-just I meant everything, the garden and the orchard and the beck and the wood, the whole large beloved world. Don't you lot feel equally if you simply loved the world on a morning time similar this? And I can hear the brook laughing all the way up hither. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-fourth dimension I've heard them under the water ice. I'm so glad in that location'south a brook near Green Gables. Perhaps you retrieve it doesn't make any difference to me when you're non going to keep me, but information technology does. I shall always like to retrieve that there is a brook at Green Gables even if I never run across information technology again. If there wasn't a brook I'd be HAUNTED past the uncomfortable feeling that there ought to be 1. I'g not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid affair that there are mornings? But I feel very sad. I've merely been imagining that it was really me you wanted later all and that I was to stay here for ever and e'er. It was a bang-up condolement while it lasted. But the worst of imagining things is that the time comes when you take to stop and that hurts."

1. to show Anne's trend for being dramatic and establish an important component of her personality
2. to show Anne'southward fright that Marilla misunderstood her intentions when she was gesturing out the window
3. to correct a misperception and foreclose Marilla from existence angry with Anne
4. to show Marilla the extent of Anne'due south intelligence in the hopes that she volition not be sent dorsum to the orphanage

Answers and Explanations

---

1. C: There are many lines in this poem that indicate information technology is describing a scene following a boxing:By the flow of the inland river / Whence the fleets of iron have fled; These in the robings of glory / Those in the gloom of defeat / All with the battle-blood gory / In the sunset of eternity meet; andNo braver battle was won. Each of these lines implies that some kind of boxing took place, but is now over.

2. B: These lines use the aforementioned words to describe the emotions of those on both sides of the conflict. The only difference is the order of the words, which does not impact their pregnant in any way. This author is maxim that at that place are tears and honey for all of the people who lost their lives as a result of this battle. There is no indication that this is the view of the dead, or that, if indeed there are bystanders present in this section of the poem, they are questioning anything. There is also no indication that the dead will come dorsum to life.

iii. A: These lines tin can be interpreted to mean that soldiers from both sides of the battle now lay dead and buried, and face the same fate. No matter the circumstances depicted in the lines preceding these in each stanza, the dead nevertheless lie beneath the soil awaiting the afterlife. This makes death an blaster. The fact that this is repeated over and over in the verse form shows its significance.

four. D: By describing the two alien factions in this battle as "The Blue" and "The Grayness," the author alludes to the uniforms worn past Matrimony and Confederate soldiers during the Civil War. In that location are no specific colors associated with any of the other wars listed.

v. C: The author begins the poem with images of catastrophe and destruction, such every bitin the gloom of defeat andAll with the battle-claret gory / In the dusk of eternity see. Then, he transitions into a blending of these images with ones suchevery bit the forenoon lord's day-rays fall anda impact impartially tender / On the blossoms blooming for all. Since the images of nature begin to overshadow those of destruction every bit the poem progresses, it can be inferred that this is done purposefully to show that life goes on after war, that information technology has value, and that information technology is delicate.

6. C: At that place are plenty of small-scale details throughout the passage that indicate that Anne is full of energy and excited about being at Light-green Gables, if a little fearful that her stay might but be temporary. The reader does not get a sense of fright or anxiety, except when Anne thinks nigh not being able to stay. Her statements and dramatic views of everything effectually her do not testify Anne to exist shy, inactive, or wanting to be back at the orphanage.

7. A: Each of the answer choices is a possible definition of the word "smart," simply answer A is the only one that fits the context in which information technology is used. In the passage, Marilla is showing a piffling impatience for Anne'due south long, fanciful descriptions of Green Gables, and is giving Anne instructions for what she needs to do before she goes down to breakfast. The reader can infer that Marilla doesn't desire Anne to waste any time. Therefore, A is the best choice.

8. D: This story extract is told from the perspective of both Anne and Marilla, and the reader is privy to the thoughts of each. Simply an all-knowing narrator would be able to know what both characters are thinking, and why.

nine. C: Of all the answer choices, C makes the most sense, especially in low-cal of the post-obit line:Marilla really did not know how to talk to the kid, and her uncomfortable ignorance made her crisp and curt when she did not hateful to be. The passage does non requite the reader a sense that Marilla is suspicious or that she dislikes Anne, nor does it show her to be affectionate.

10. A: The fact that Anne'due south linguistic communication in this department of the passage is very dramatic and reflects the romanticism of her before thoughts makes A the best choice here. There is no fear in the tone of this section, nor is there any indication that Anne is trying to bear witness herself.

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